John Kilpatrick's Choral Music |
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This page contains John Kilpatrick's
choral compositions; all are in the public domain.
Items on this page may be
freely downloaded, copied and performed, provided all copyright notices are
preserved.
ICONS:
PDF
MIDI
MuseScore
XML
(Good layout is not guaranteed when downloading XML files. The
XML files do not contain cover pages)
Please note: MuseScore 4 has been released. The layout is likely to be incorrect if this is used. MuseScore 3 is to be preferred for the time being.
Music by John Kilpatrick with lyrics by Gelett
Burgess, from The Burgess Nonsense Book (nonsense songs)
The Burgess Nonsense Book was published in New York in 1901, and in London in 1914. It is now available again as a modern reprint, and online here. The original can sometimes be obtained through Abebooks (e.g. USA or UK); an alternative book to search for is "The Purple Cow and Other Nonsense" (Dover Publications). The complete Burgess Nonsense Book can also be read on-line at http://www.archive.org/details/burgessnonsenseb00burgrich |
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The Knave of Hearts |
![]() ![]() ![]() ![]() MP3* Words * by Lydian Singers, Sheffield. The introductory solo is missing as it was added after this recording. |
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SATB with optional piano accompaniment, 2 minutes. The text is a clever poem by Gelett
Burgess, based
upon the card game of Euchre. Difficult in places. "Right Bower", meaning "Knave of Trumps", may be an unfamiliar term. It has been dropped from the latest COD but is in Chambers. (Bower = Bauer = Farmer or Peasant = Knave.) |
The Purple Cow |
![]() ![]() ![]() ![]() Words |
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SATB div. with optional piano accompaniment. Words by Gellet Burgess: The Purple Cow / The Purpil Cowe / Confession Solos in Part 2: T = Narrator in G, B = Knight in F, A = Maid in Eb. Difficult in places. About 6 minutes. |
Cuttings from a Nonsense Book
(see also the page |
Vocal score PDF
(604KB, 32 pages) Full score (2014) PDF (904KB, 44 pages) Set of parts (2014) PDF Full score (2012) PDF (904KB, 44 pages) Set of parts (2012) PDF User Guide PDF (665KB) DOC(4.2MB) Words (complete lyrics) htm, no pictures MIDI files (separate page) Full recording of 2012 performance MP3 (18MB) MP3 divided up into 4 sections: Part1 Part2 Part3 Part4 |
For Choir (SATB), Speaker, and Wind Quintet. Some solos from within the choir. |
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Music by John Kilpatrick with lyrics by Edward Lear,
from his Complete Nonsense Book (nonsense songs) |
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The Jumblies |
![]() ![]() ![]() ![]() Words |
SATB div. with Alto solo & short Tenor solo. About 7 minutes. text: Edward Lear's poem "The Jumblies" A happy tale of endeavour and success, reflected in the musical setting. |
The Dong |
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SATB div. with S, T & B solos. About 9 minutes. A sequel to The Jumblies. text: Edward Lear's "The Dong with the Luminous Nose" (a sequel to The Jumblies) The Dong is a deeper and darker piece than The Jumblies: a sad tale of loss, despair and madness, appropriately reflected in the music. |
Jumblies Suite (The Story of the Jumblies)(see also the page Festive Fancies) |
![]() ![]() Instrument Parts in separate PDFs Overall scheme outline (htm) Libretto PDF DOC ODT |
SATB
(div. with soli), piano and wind ensemble; the latter comprising 3 x
Bb clarinet, bass clarinet, 3 x trombone, French horn and
percussion. A 35 minute suite of 8 sections on words by Edward Lear, with narrative links by the composer. Versions of the above pieces The Jumblies and The Dong are included as two of the sections. One section - "The Owl and the Pussy-Cat" - must be separately sourced, either the version by Victor Hely-Hutchinson or that by Igor Stravinsky (or any other). The piano is used to accompany the narrative sections sung by the tenor soloist; it is not used in the three choral numbers, but a reduction for use in rehearsal is included in the vocal score. |
Music and words by John Kilpatrick | ||
My
Briefcase
(see also the page |
Piano version (2001, reset 2006) PDF Midi Libretto - Words |
SATB div. with tenor recitatives and a soprano
solo. The recitatives & solo require piano accompaniment, but
the choral sectoin can mostly be sung unaccompanied .
A few difficulties, here and there. About 10-15 minutes.
16 pages.
This
work is based on a true story. |
Wind quintet version (2008) - full score PDF Midi - vocal score PDF - wind parts PDF |
SATB div. with wind quintet (flute, oboe, clarinet, horn, bassoon). The wind quintet version has additional bars and a few other minor changes - summarised here. |
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Version with wind ensemble (2012) - full score PDF - score front & back cover PDF - vocal score PDF - vocal front & back cover PDF - wind parts PDF |
SATB div. with 3 x clarinet, trombone, and bass
trombone (or cimbasso) The vocal parts have a few changes (including less divisi), and the wind rather more; otherwise similar to the above quintet version. This version was compiled for the Humour in Harmony concert in 2012. |
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To Say Goodbye | Vocal score with piano reduction PDF Midi OVE Libretto Words |
For everything there is a season (words mine, inspired by Ecclesiastes 3:1 et seq., but entirely secular). A happy 3-minute Beguine suitable for the end of a concert or for saying farewell to a retiring singer. SATB div. with solo (any voice), and piano accompaniment. Performing with piano accompaniment may require some interpretation of the reduction and the included chord symbols. |
Full score with wind quintet/quartet PDF Midi OVE Wind parts with printing instructions PERFORMANCE MP3 |
Same, but with wind quintet or
quartet. [Flute,] Oboe, Clarinet, Horn, Bassoon |
More music by John Kilpatrick - Secular | ||
Two
Homer Sonnets 1. On First Looking into Chapman's Homer. 2. To Homer. |
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Keats's
Homer sonnets set for unaccompanied SATB. They may be sung
separately or as a pair with or without retuning. Quite difficult; in Db major & B major. 16 pages including cover sheets; 12 pages of music. In no.1 all nouns that start with a letter of the scale (A-H) centre on the corresponding chord. In no. 2 the rule is more relaxed but more pervasive. Keats's confusion between Cortez and Balboa is appropriately represented. |
Come Live with Me and be my Love | ![]() ![]() ![]() ![]() Words MP3 |
The Passionate Shepherd by Christopher Marlowe (vv
1-5), set in SATB (div.), unaccompanied, 2 to 2.5 minutes.
The MP3 was sung by Sheffield Lydian Singers at a concert 11 days after the wedding for which is was composed, .in the same church. |
Gone are the Days | ![]() ![]() ![]() ![]() Words |
Suitable for a memorial service or similar occasion, religious or non-religious.
SATB - unaccompanied, or with keyboard if desired. About 3 minutes. Performers: please add suitable expression in rehearsal. Words found on the internet (anon.) and mildly altered |
Ozymandias | Vocal solo and piano![]() ![]() ![]() ![]() Words MP3 |
"A message to all dictators" Written in 2012 following the popular uprisings of the Arab Spring, to the apposite words of the sonnet of the name by Percy Bysshe Shelley. Suitable for soprano or tenor solo, with piano accompaniment (preferably a good sustaining real piano). MP3 recording: Soprano - Jane Ginsborg; Piano - George Nicholson |
More music by John Kilpatrick - Sacred | ||
Magnificat and Nunc Dimittis |
Version for choir & organ Score PDF Magnificat Midi OVE Nunc dimittis Midi OVE |
SATB div. with Organ. SSAATTBB Key: F major. Difficulty: ??? (I'd like to know what you think - please email me.) In the Magnificat the Tenor & Bass are in Latin but the Soprano & Alto in English; the texts are in parallel, with the Latin generally leading. In the Nunc Dimittis the voice selections are reversed. more details: click here |
Version for wind quintet Vocal score: use the PDF above Full score PDF Wind parts PDF |
SATB div. with Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon). | |
Gloria | Choral score
PDF Full score PDF Set of parts PDF includes part printing instructions Midi |
A Latin Gloria for Choir (SATB
div,), Brass, Percussion and Keyboard. For concert use: suitable for a festival or anniversary. Key: based on Bb major. In 10 sections, total time 10-11 minutes: Fanfare, Gloria, Et in terra pax, Laudamus te, Gratias agimus tibi, Domine Deus, Qui tollis, Quoniam tu solus, Cum Sancto Spiritu, Amen. Full instrumentation, requiring 9 players: 2 x Bb cornet; flugelhorn; 2 x Bb trombone; bass trombone; timpani (3 drums); percussion (cymbal, snare drum, bass drum); vibraphone; organ; piano. The vibraphone may be played by the timpanist or percussionist or both, and the piano by the organist or percussionist. |
Fanfare
and Grace for St Peter's Day |
Choral score
PDF
(97KB, 8 pages) Full score PDF (95KB, 8 pages) Set of parts PDF (130KB) Further details and Words Fanfare "Tu es Petrus" Midi OVE Grace "Crescite vero in gratia" Midi OVE The midi versions omit the spoken sections. |
For Choir (SATB
div,), Speaker (optional), and Wind Quintet or Organ. Key: F major. Not difficult. For use as an accompanied Introit and Grace at a service on St Peter’s Day (29th June), or as starting and ending pieces for a concert given on that day, or otherwise in connection with St Peter. Both pieces are in Latin, and include accompanied spoken introductions in English; any other language may be substituted for the introductions, or they may be omitted. The choral score serves choir, speaker and organ, and is suggested that it is apt for choir use even in the case of a performance with wind quintet. |
In Paradisum | ![]() ![]() ![]() ![]() Words (with translation) |
Unaccompanied anthem, SSATBB; about
2 minutes, or more. In Latin. 4 pages.
Key: Bb major. Not sure about difficulty - needs to be sung in tune, though. MP3: performance in Oberreid by Les Amis de Claudio & Camerata Monteverdi, November 2021 |
Crescite vero in Gratia |
![]() ![]() ![]() ![]() Words (with translation) |
Unaccompanied anthem, SSATBB; less than
2 minutes. In Latin. 3 pages.
Key: F major. Developed from the accompanied SATB version in Fanfare and Grace above. Intended as a companion to In Paradisum. |
And I Saw a New Heaven | Organ/keyboard version:![]() ![]() ![]() ![]() |
Anthem, SATB with Organ; about 4 minutes. 8 pages. Key: starts in C, ends in Gb (with optional organ endings to bring back to C or to other keys). MP3: Organ version sung by Danensian Choir in Chichester Cathedral, organist Darren Williams, 10th August 2011 |
Wind quintet version:
(score & parts)![]() ![]() ![]() |
To perform the version with wind quintet
accompaniment, the choir should use the Organ version. MP3: Wind quintet version by Sheffield Lydian Singers & Caccia Wind Quintet, 30th June, 2011 |
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Gone are the Days | SEE ABOVE under secular - this item is suitable for either a sacred or secular event |